REVIEWSetc.

There is something irresistible about the premise of Guillaume Canet directing his now-ex-wife Marion Cotillard through a film about a woman who escapes a controlling man and is then forced back into his orbit. We are not here to psychoanalyze the production. We are here to tell you that whatever the personal architecture of this collaboration, it has produced in Cotillard one of the most committed and physically inhabited performances of her recent career, and that the film