REVIEWSetc.

Mike ( Frank Dillane) is a street urchin in London, struggling to just get by. When we first meet him, he's chasing down a friend that's stolen his wallet. A scuffle ensues between the two men, one that is largely ignored by nearly everyone just casually walking by. Eventually, a decent man, Simon (Okezie Morro) steps in and breaks things up, even offering to take Mike for a bite to eat. As the two men begin to walk to a nearby bagel shop, Mike attacks Simon and steals his wa

When your favorite movie is from a particular sub-genre, it can mean one of two things. You either grade that sub-genre really kindly because you know you love it, or you grade it harshly because any competition has an uphill battle to measure up. With me, my favorite movie is somehow NOT from the horror genre, which shocks even me. No, my favorite film of all time is 2007's Hot Fuzz . That means the sub-genre we are judging today is the action-comedy. There is no shortage of

Some films tell a family story. Sentimental Value  feels like it wandered into your own, quietly rearranged a few memories, and then left you to sit with the mess. Joachim Trier’s latest is a father–daughter drama on the surface, but under that it’s a film about time, about the way we turn life into narrative, and about how cinema becomes a substitute language when we don’t know how to speak honestly to the people closest to us. It’s also easily sitting in my top ten of the

I know Netflix kind of hangs its hat on shows these days, but I have always been a movie guy, and I'm glad to see they still release so many new original films. I like television programs, sure, but they're an awful big commitment. Several seasons of several episodes, all lasting between thirty and sixty minutes each. Sometimes much more if you enjoy something like Stranger Things! That's a time commitment of, like, twenty-ish hours or so on a low average. The wife and I rece

A critical deep dive into Wicked for Good—its emotional resonance, standout performances, visual upgrades, and awards potential across major Oscar categories.

I need to watch more of the classic Universal Horror features from the 1930's through 1950's. I've seen a handful of them, sure, but there are several more out there. For instance, I have skipped The Mummy and The Phantom Of The Opera because I had heard they didn't quite measure up to the rest. But maybe I'll dig them anyway when I try them out. My favorites at the point to what I've seen are The Creature From The Black Lagoon , The Invisible Man , and The Bride Of Franken

I just recently, as of this writing, passed one hundred movies released in 2025 watched. In that hundred films, I've obviously seen a lot of movies in theaters and that were big, major releases ( Predator: Badlands was officially #100, for instance), but you don't get to that figure without finding a lot of independent flicks on streaming services. When you watch a lot of indie films--especially in the horror genre--you end up seeing a lot of films of a somewhat dubious qual

Noah Baumbach’s latest turns what could’ve been another “movie about movies” into a layered, deeply human reflection on legacy, regret, and the masks we wear to survive in both Hollywood and life.

After thirty years of planning, Guillermo del Toro breathes new life into Frankenstein — an operatic Gothic marvel that’s as emotionally rich as it is visually breathtaking.