REVIEWSetc.

There is a scene in Tell Me Everything where a twelve-year-old boy sees just enough of something in a public bathroom to understand that his entire world is about to change, and Moshe Rosenthal shoots it with such precise, suffocating restraint that you feel the moment land in your chest before you have even fully processed what happened. This is a film that knows exactly where to look and exactly when to look away, and that discipline is everywhere. The setup is deceptively