REVIEWSetc.

As of this writing, it's January 12th, and I've already watched my second foreign language film of the year! I wonder how long it took me to watch a non-English movie in 2025? (Actually, the answer to that depends on whether Flow counts or not. It's a foreign made picture, sure, but it has no language to speak of) Anyway, today's movie comes to you due to the fact that I have seen a lot of Letterboxd friends log this movie recently--with pretty high scores for it!--and I deci

Some films tell a family story. Sentimental Value  feels like it wandered into your own, quietly rearranged a few memories, and then left you to sit with the mess. Joachim Trier’s latest is a father–daughter drama on the surface, but under that it’s a film about time, about the way we turn life into narrative, and about how cinema becomes a substitute language when we don’t know how to speak honestly to the people closest to us. It’s also easily sitting in my top ten of the

I know Netflix kind of hangs its hat on shows these days, but I have always been a movie guy, and I'm glad to see they still release so many new original films. I like television programs, sure, but they're an awful big commitment. Several seasons of several episodes, all lasting between thirty and sixty minutes each. Sometimes much more if you enjoy something like Stranger Things! That's a time commitment of, like, twenty-ish hours or so on a low average. The wife and I rece

A critical deep dive into Wicked for Good—its emotional resonance, standout performances, visual upgrades, and awards potential across major Oscar categories.

I need to watch more of the classic Universal Horror features from the 1930's through 1950's. I've seen a handful of them, sure, but there are several more out there. For instance, I have skipped The Mummy and The Phantom Of The Opera because I had heard they didn't quite measure up to the rest. But maybe I'll dig them anyway when I try them out. My favorites at the point to what I've seen are The Creature From The Black Lagoon , The Invisible Man , and The Bride Of Franken

Noah Baumbach’s latest turns what could’ve been another “movie about movies” into a layered, deeply human reflection on legacy, regret, and the masks we wear to survive in both Hollywood and life.

After thirty years of planning, Guillermo del Toro breathes new life into Frankenstein — an operatic Gothic marvel that’s as emotionally rich as it is visually breathtaking.

James Vanderbilt’s   Nuremberg  delivers a haunting courtroom drama that probes the minds behind humanity’s darkest chapter. Anchored by a towering Russell Crowe performance and a chilling moral tug-of-war, the film is long, heavy, and often brilliant — even when it drags its feet. PLOT & SETUP Directed by James Vanderbilt , Nuremberg  adapts Jack El-Hai’s 2013 book The Nazi and the Psychiatrist , chronicling psychiatrist Douglas Kelley’s  (Rami Malek) psychological evaluatio

Few sports stories are as naturally cinematic as that of Christy Martin — the first woman to ever box on pay-per-view and, unintentionally, a trailblazer for women’s boxing. Christy  aims to honor that legacy, showing how a small-town fighter from West Virginia became a symbol of perseverance and empowerment. Unfortunately, the film often buries that power beneath convention and formula, opting for the expected over the profound. The film’s first act chronicles Martin’s unlik

A Bruce Springsteen biopic that confuses introspection with inertia. Deliver Me From Nowhere looks and feels authentic but struggles to find the heartbeat of its own story.

Sony Pictures Classics There’s a certain magic in watching Richard Linklater return to the intimacy of character-driven storytelling. After experimenting with bigger canvases and some other detours, Blue Moon  feels like a homecoming — not to Austin or adolescence, but to the beating heart of American artistry. The film captures one fateful New York night in 1947 — the evening Oklahoma!  opened on Broadway — and in doing so, paints a bittersweet portrait of friendship, legacy

Benny Safdie’s The Smashing Machine  is a bruiser of a film—sweaty, unflinching, and desperate to dig into the psyche of one of...

Kathryn Bigelow has always been fascinated by the anatomy of crisis — how people behave when the clock is ticking, the stakes are...

I recently combed through the 2025 new releases that I've seen so far to come up with the movies and performances that are both some of...